رسانه اینترنتی بیست موویز

داستان حوادث قرون وسطی. روایت مردم دهکده ای که برای گذراندن زمستان از جادو و جنبل استفاده می کنند و یک زن جوان در تلاش است با استفاده از همین جادو جوانی را شیفته خود سازد.

"November" is based on Estonian novel "Rehepapp" by Andrus Kivirähk, a bestseller of the last twenty years. The film is a mixture of magic, black humor and romantic love. The story is set in a pagan Estonian village where werewolves, the plague, and spirits roam. The villagers' main problem is how to survive the cold, dark winter. And, to that aim, nothing is taboo. People steal from each other, from their German manor lords, and from spirits, the devil, and Christ. To guard their souls, they'll give them away to thieving creatures made of wood and metal called kratts, who help their masters by stealing more. They steal even if their barns are already overflowing. Stealing is an obsession that makes the villagers more and more like the soulless creatures they command, the kratts. The main character of the film is a young farm girl named Liina who is hopelessly and forlornly in love with a village boy named Hans. Her longing makes the girl become a werewolf and jump into an ice-cold pond. She's ready to die in the name of love. The pragmatic farmers are faced with a question: is the life that they've won through so much toil worth anything, if it lacks a soul? Estonian pagan and European Christian mythologies come together in this film. Both mythologies look for a miracle; for an ancient force that gives one a soul. This film is about souls - longing for a soul, selling your soul, and living without a soul.

داستان حوادث قرون وسطی. روایت مردم دهکده ای که برای گذراندن زمستان از جادو و جنبل استفاده می کنند و یک زن جوان در تلاش است با استفاده از همین جادو جوانی را شیفته خود سازد.

"November" is based on Estonian novel "Rehepapp" by Andrus Kivirähk, a bestseller of the last twenty years. The film is a mixture of magic, black humor and romantic love. The story is set in a pagan Estonian village where werewolves, the plague, and spirits roam. The villagers' main problem is how to survive the cold, dark winter. And, to that aim, nothing is taboo. People steal from each other, from their German manor lords, and from spirits, the devil, and Christ. To guard their souls, they'll give them away to thieving creatures made of wood and metal called kratts, who help their masters by stealing more. They steal even if their barns are already overflowing. Stealing is an obsession that makes the villagers more and more like the soulless creatures they command, the kratts. The main character of the film is a young farm girl named Liina who is hopelessly and forlornly in love with a village boy named Hans. Her longing makes the girl become a werewolf and jump into an ice-cold pond. She's ready to die in the name of love. The pragmatic farmers are faced with a question: is the life that they've won through so much toil worth anything, if it lacks a soul? Estonian pagan and European Christian mythologies come together in this film. Both mythologies look for a miracle; for an ancient force that gives one a soul. This film is about souls - longing for a soul, selling your soul, and living without a soul.

داستان حوادث قرون وسطی. روایت مردم دهکده ای که برای گذراندن زمستان از جادو و جنبل استفاده می کنند و یک زن جوان در تلاش است با استفاده از همین جادو جوانی را شیفته خود سازد.

"November" is based on Estonian novel "Rehepapp" by Andrus Kivirähk, a bestseller of the last twenty years. The film is a mixture of magic, black humor and romantic love. The story is set in a pagan Estonian village where werewolves, the plague, and spirits roam. The villagers' main problem is how to survive the cold, dark winter. And, to that aim, nothing is taboo. People steal from each other, from their German manor lords, and from spirits, the devil, and Christ. To guard their souls, they'll give them away to thieving creatures made of wood and metal called kratts, who help their masters by stealing more. They steal even if their barns are already overflowing. Stealing is an obsession that makes the villagers more and more like the soulless creatures they command, the kratts. The main character of the film is a young farm girl named Liina who is hopelessly and forlornly in love with a village boy named Hans. Her longing makes the girl become a werewolf and jump into an ice-cold pond. She's ready to die in the name of love. The pragmatic farmers are faced with a question: is the life that they've won through so much toil worth anything, if it lacks a soul? Estonian pagan and European Christian mythologies come together in this film. Both mythologies look for a miracle; for an ancient force that gives one a soul. This film is about souls - longing for a soul, selling your soul, and living without a soul.

داستان حوادث قرون وسطی. روایت مردم دهکده ای که برای گذراندن زمستان از جادو و جنبل استفاده می کنند و یک زن جوان در تلاش است با استفاده از همین جادو جوانی را شیفته خود سازد.

"November" is based on Estonian novel "Rehepapp" by Andrus Kivirähk, a bestseller of the last twenty years. The film is a mixture of magic, black humor and romantic love. The story is set in a pagan Estonian village where werewolves, the plague, and spirits roam. The villagers' main problem is how to survive the cold, dark winter. And, to that aim, nothing is taboo. People steal from each other, from their German manor lords, and from spirits, the devil, and Christ. To guard their souls, they'll give them away to thieving creatures made of wood and metal called kratts, who help their masters by stealing more. They steal even if their barns are already overflowing. Stealing is an obsession that makes the villagers more and more like the soulless creatures they command, the kratts. The main character of the film is a young farm girl named Liina who is hopelessly and forlornly in love with a village boy named Hans. Her longing makes the girl become a werewolf and jump into an ice-cold pond. She's ready to die in the name of love. The pragmatic farmers are faced with a question: is the life that they've won through so much toil worth anything, if it lacks a soul? Estonian pagan and European Christian mythologies come together in this film. Both mythologies look for a miracle; for an ancient force that gives one a soul. This film is about souls - longing for a soul, selling your soul, and living without a soul.

این داستان، پیدایش و زوال را از طریق یادداشت‌ها و تصاویر تکه‌تکه شده، که مرگ آنها را تسخیر کرده است، بررسی می‌کند. بخش دوم، کارگردان را در حال تکمیل اثر خداحافظی‌اش، که خودنگاره‌ای از پایان زندگی فانی اوست، به تصویر می‌کشد.

The story explores genesis and decline through fragmented notes and images, haunted by death. The second part depicts the director completing his farewell work, a self-portrait of his mortal end.

این داستان، پیدایش و زوال را از طریق یادداشت‌ها و تصاویر تکه‌تکه شده، که مرگ آنها را تسخیر کرده است، بررسی می‌کند. بخش دوم، کارگردان را در حال تکمیل اثر خداحافظی‌اش، که خودنگاره‌ای از پایان زندگی فانی اوست، به تصویر می‌کشد.

The story explores genesis and decline through fragmented notes and images, haunted by death. The second part depicts the director completing his farewell work, a self-portrait of his mortal end.

این داستان، پیدایش و زوال را از طریق یادداشت‌ها و تصاویر تکه‌تکه شده، که مرگ آنها را تسخیر کرده است، بررسی می‌کند. بخش دوم، کارگردان را در حال تکمیل اثر خداحافظی‌اش، که خودنگاره‌ای از پایان زندگی فانی اوست، به تصویر می‌کشد.

The story explores genesis and decline through fragmented notes and images, haunted by death. The second part depicts the director completing his farewell work, a self-portrait of his mortal end.

این داستان، پیدایش و زوال را از طریق یادداشت‌ها و تصاویر تکه‌تکه شده، که مرگ آنها را تسخیر کرده است، بررسی می‌کند. بخش دوم، کارگردان را در حال تکمیل اثر خداحافظی‌اش، که خودنگاره‌ای از پایان زندگی فانی اوست، به تصویر می‌کشد.

The story explores genesis and decline through fragmented notes and images, haunted by death. The second part depicts the director completing his farewell work, a self-portrait of his mortal end.

این داستان، پیدایش و زوال را از طریق یادداشت‌ها و تصاویر تکه‌تکه شده، که مرگ آنها را تسخیر کرده است، بررسی می‌کند. بخش دوم، کارگردان را در حال تکمیل اثر خداحافظی‌اش، که خودنگاره‌ای از پایان زندگی فانی اوست، به تصویر می‌کشد.

The story explores genesis and decline through fragmented notes and images, haunted by death. The second part depicts the director completing his farewell work, a self-portrait of his mortal end.

خانواده اکا و آریل در ابتدا هماهنگ بودند. با این حال ، زندگی آنها تغییر کرد تا بعد از اینکه اکا توسط جنی به نام جین دسیم که عاشق او شد ، ترسناک شود.

Echa and Ariel's household was initially harmonious. However, their life changed to become scary after Echa was disturbed by a genie named Jin Dasim who fell in love with her.