رسانه اینترنتی بیست موویز

A group who straps bombs to a Japanese bullet train in an attempt to extort money from the government.

A group who straps bombs to a Japanese bullet train in an attempt to extort money from the government.

بازیگری میانسال که زمانی نقش یک ابرقهرمان محبوب به نام «بردمن» را بازی میکرده، اکنون قصد دارد با حضور در نمایشی در برادوی که از روی داستانی کوتاه نوشته ریموند کارور تولید شده، شکوه از دست رفته خود را بازیابد.

Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented Broadway name, Mike Shiner, for that role, Mike who ends up being difficult to work with and who may end up overshadowing Riggan in the play; having to deal potentially with a lawsuit based on one of his actions to ensure success; needing to be there for his daughter, Sam, who he has hired to be his production assistant and who has just come out of drug rehab; and pleasing the New York Times critic, Tabitha Dickinson, who wants to use any excuse to give the play a scathing review which in turn would close the show after the opening night performance. But Riggan's biggest problem may be his own insecurities, which are manifested by him constantly hearing what he believes to be the truth from the voice of his Birdman character, who he often battles both internally and externally.

بازیگری میانسال که زمانی نقش یک ابرقهرمان محبوب به نام «بردمن» را بازی میکرده، اکنون قصد دارد با حضور در نمایشی در برادوی که از روی داستانی کوتاه نوشته ریموند کارور تولید شده، شکوه از دست رفته خود را بازیابد.

Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented Broadway name, Mike Shiner, for that role, Mike who ends up being difficult to work with and who may end up overshadowing Riggan in the play; having to deal potentially with a lawsuit based on one of his actions to ensure success; needing to be there for his daughter, Sam, who he has hired to be his production assistant and who has just come out of drug rehab; and pleasing the New York Times critic, Tabitha Dickinson, who wants to use any excuse to give the play a scathing review which in turn would close the show after the opening night performance. But Riggan's biggest problem may be his own insecurities, which are manifested by him constantly hearing what he believes to be the truth from the voice of his Birdman character, who he often battles both internally and externally.

بازیگری میانسال که زمانی نقش یک ابرقهرمان محبوب به نام «بردمن» را بازی میکرده، اکنون قصد دارد با حضور در نمایشی در برادوی که از روی داستانی کوتاه نوشته ریموند کارور تولید شده، شکوه از دست رفته خود را بازیابد.

Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented Broadway name, Mike Shiner, for that role, Mike who ends up being difficult to work with and who may end up overshadowing Riggan in the play; having to deal potentially with a lawsuit based on one of his actions to ensure success; needing to be there for his daughter, Sam, who he has hired to be his production assistant and who has just come out of drug rehab; and pleasing the New York Times critic, Tabitha Dickinson, who wants to use any excuse to give the play a scathing review which in turn would close the show after the opening night performance. But Riggan's biggest problem may be his own insecurities, which are manifested by him constantly hearing what he believes to be the truth from the voice of his Birdman character, who he often battles both internally and externally.

داستان یک راهبه قرن هفدهم در ایتالیا که از دیدگاه های مذهبی و وابسته به عشق شهوانی رنج می برد. او از فردی کمک می گیرد اما رفته رفته رابطه این دو زن به یک رابطه ی عاشقانه تبدیل می شود.

17th-century Tuscany, Italy. As the sinister threat of the Plague looms over Europe, the sincerely devout eight-year-old novice, Benedetta Carlini, is brought into the Theatine Convent of the Mother of God in Pescia as a bride for Jesus Christ. Eighteen long years later, as ominous whispers of disputable miracles scandalise the cloistered sisters, a test of faith awaits deeply pious Benedetta in the shape of bruised, abused, and earthly Bartolomea: a young woman fleeing her violent father. Now, while under the vigilant eye of cynical Abbess Felicita, fleeting glimpses of the forbidden fruit invite a tentative intimacy, ungovernable desires, and intense diabolical obsessions in, and suddenly, the holy signs of faith are manifest in Sister Benedetta's body. But, few can wrestle with guilt and emerge unscathed. Is there an escape from sin when the flesh is the enemy?

داستان یک راهبه قرن هفدهم در ایتالیا که از دیدگاه های مذهبی و وابسته به عشق شهوانی رنج می برد. او از فردی کمک می گیرد اما رفته رفته رابطه این دو زن به یک رابطه ی عاشقانه تبدیل می شود.

17th-century Tuscany, Italy. As the sinister threat of the Plague looms over Europe, the sincerely devout eight-year-old novice, Benedetta Carlini, is brought into the Theatine Convent of the Mother of God in Pescia as a bride for Jesus Christ. Eighteen long years later, as ominous whispers of disputable miracles scandalise the cloistered sisters, a test of faith awaits deeply pious Benedetta in the shape of bruised, abused, and earthly Bartolomea: a young woman fleeing her violent father. Now, while under the vigilant eye of cynical Abbess Felicita, fleeting glimpses of the forbidden fruit invite a tentative intimacy, ungovernable desires, and intense diabolical obsessions in, and suddenly, the holy signs of faith are manifest in Sister Benedetta's body. But, few can wrestle with guilt and emerge unscathed. Is there an escape from sin when the flesh is the enemy?

داستان یک راهبه قرن هفدهم در ایتالیا که از دیدگاه های مذهبی و وابسته به عشق شهوانی رنج می برد. او از فردی کمک می گیرد اما رفته رفته رابطه این دو زن به یک رابطه ی عاشقانه تبدیل می شود.

17th-century Tuscany, Italy. As the sinister threat of the Plague looms over Europe, the sincerely devout eight-year-old novice, Benedetta Carlini, is brought into the Theatine Convent of the Mother of God in Pescia as a bride for Jesus Christ. Eighteen long years later, as ominous whispers of disputable miracles scandalise the cloistered sisters, a test of faith awaits deeply pious Benedetta in the shape of bruised, abused, and earthly Bartolomea: a young woman fleeing her violent father. Now, while under the vigilant eye of cynical Abbess Felicita, fleeting glimpses of the forbidden fruit invite a tentative intimacy, ungovernable desires, and intense diabolical obsessions in, and suddenly, the holy signs of faith are manifest in Sister Benedetta's body. But, few can wrestle with guilt and emerge unscathed. Is there an escape from sin when the flesh is the enemy?

اسپارتاکوس برده ی ست که رهبری شورشی را بر علیه جمهوری رو به زوال روم برعهده می گیرد.

The slave Spartacus leads a violent revolt against the decadent Roman Republic.

اسپارتاکوس برده ی ست که رهبری شورشی را بر علیه جمهوری رو به زوال روم برعهده می گیرد.

The slave Spartacus leads a violent revolt against the decadent Roman Republic.